V. Kukhta, Master’s Student

Taras Shevchenko National University of Kyiv, Kyiv, Ukraine

DOI: https://doi.org/10.17721/1728-2640.2021.150.5


THE CORRECTNESS OF THE CANONICAL YOUNGER EDDA'S CHAPTERS ORDER FROM THE POINT OF VIEW OF THE WORK INTEGRITY PERCEPTION

Abstract. The article is devoted to historically little-studied sources of the Middle Ages Scandinavian countries history. The object of the study is the Prose Edda, also known as the Younger Edda, which is one of the main literary sources from which historians derive data on the religious beliefs and culture of pre-Christian Scandinavia. But for many years it attracted the exclusive attention of philologists and linguists. Historians have only briefly paid attention to this source, neglecting its comprehensive study.

The relevance of the topic of the article lies in the novelty of the study. A thorough study of the source opens up a wide space for the reconstruction of the mentality and religious worldview of the Scandinavians of the pre-Christian era, as well as helps to establish and trace the relationships and interactions between pagan and Christian thinking.

Achieving this goal involves solving a number of tasks: conducting a detailed internal source review of Younger Edda, researching the connections between four parts of which it consists, and consideration of the opposing concept.

The question of Younger Edda’s parts arrangement order is a fundamental problem for historians, helping to reconstruct and explore not only the obvious aspects of the Scandinavian worldview and religious beliefs in the pre-Christian era, but also to understand the thoughts and reflections of the medieval Icelandic nobility. The deep meaning inherent in the content of each section gives an understanding that literature was highly valued as a means of influence and a "politicized act."

The arguments presented in the article, based on the research, support the canonical arrangement of the parts of the Younger Edda, because it is this arrangement that connects the work with one integral logical line. Younger Edda is a unique example of a literary source, whose structural elements are connected with each other not explicitly, meaningfully, but more deeply, contextually and stylistically. This in turn makes it a unique monument of medieval literature.

Keywords: Prose Edda, Younger Edda, Snorri Sturluson, Iceland of 13th century, Norse Mythology, source review.

Submitted: 27.08.2021

Download Full Text

References:

1. Younger Edda. Translated by O. Smirnickaya. (n.d.). North Glory. URL: http://norroen.info/src/snorra/ [In Russian]

2. Íslendinga Saga. Translated by A. Cimmerling. (n.d.). North Glory. URL: http://norroen.info/src/samtid/islendinga/ru.html [In Russian]

3. Steblin-Kamenskij, M. (n. d.). World of Saga. Origin of Literature. Age of Vikings. URL: http://ulfdalir.ru/literature/284 [In Russian]

4. Steblin-Kamenskij, M. (n. d.). Snorri Sturluson and his Edda. (n. d.). North Glory. URL: http://norroen.info/src/snorra/stk.html [In Russian]

5. An Icelandic-English Dictionary. (n. d.). Germanic Lexicon Project. URL: http://www.germanic-lexicon-project.org/texts/oi_cleasbyvigfusson_about.html

6. Baetke, W. (1950). Die Götterlehre der Snorra-Edda. Belrin: Academie Verlag.

7. Dronke, U. & Dronke, P. (1977). The prologue of the Prose Edda. Explorations of a Latin background. In: E. G. Pétursson & J. Kristjánsson (Eds.), Sjötíu ritgerðir, helgaðar Jakobi Benediktssyni. Reykjavík: [s. n.]. Pp. 153-176.

8. Faulkes, A. (1983). Pagan Sympathy: Attitudes to Heathendom in the Prologue to Snorra Edda. In: R. J. Glendinning & H. Bessason. Edda. A Collection of Essays. Manitoba: [s. n.]. Pp. 283-314.

9. Faulkes, A. (1993). The Source of Skáldskaparmál: Snorri’s Intellectual Background. Snorri Sturluson. Kolloquium anläßlich der 750. Wiederkehr seines Todestages. Tübingen: [s. n.]. Pp. 59-76.

10. Holtsmark, A. (1964). Studier i Snorres Mytologi. Oslo: [s. n.].

11. Jónsson, F. (1912-1915). Den norsk-islandske skjaldedigtning. København og Kristiania: Gyldendal, Nordisk forlag.

12. Jónsson, F. (1920-1924). Den oldnorske og oldislandske litteraturs historie. København: G.E.C. Gads Forlag.

13. Nahl, J. A. van. (2015). The Skilled Narrator. Myth and Scholarship in the Prose Edda. Scripta islandic, 66, 123-143.

14. Nordal, G. (2000). The contemporary sagas and their social context. Old Icelandic literature and society, 42, 221-241.

15. Nordal, S. (1920). Snorri Sturluson. Reykjavík: [s. n.].

16. Pálsson, H. (2017). Reflections on the Creation of Snorri Sturluson’s Prose Edda. Scripta islandic, 68, 189-233.

17. Pálsson, V. (2008). Pagan mythology in Christian society. Gripla, 19, 123-155.

18. Ross, M. C. (2005). A History of Old Norse Poetry and Poetics. Cambridge: D. S. Brewer.

19. Ross, M. C. (2000). Old Icelandic Literature and Society. Cambridge: Cambridge University Press.

20. Strohschneider, P. (1997). Situationen des Textes. Okkasionelle Bemerkungen zur ‘New Philology’. Zeitschrift für deutsche Philologie, 116, 62-86.

21. Sturluson Snorri. (1995). Edda. London: J. M. Dent. URL: http://vsnrweb-publications.org.uk/EDDArestr.pdf

22. Vries, J. de. (1930). Ginnungagap. Acta Philologica Scandinavia, 5, 41-66.

23. Weber, G. W. (1987). Synkretische oder ästhetische Wahrheit? Zur Methodenkritik in der Saga-Forschung. Skandinavistik, 11/2, 141-148.

24. Wessén, E. (1940). Introduction to Codex Regius of the Younger Edda. Copenhagen: [s. n.]. Pp. 5-32.